Selected Texts

• Kamori Osthananda, “Parallel Worlds: Art in the Age of Climate Reckoning” in Something Curated (2024)
• “Illuminating Spaces: 10 Immersive Shows to See Now”, in Aesthetica Magazine (2024)
• Pita Arreola, Corinna Gardner and Melanie Lenz, "Digital Art: 1960s to Now" (Thames & Hudson, 2024), 12-13.
• Bob Dickinson, “Ventriloquism: The Lost Voice Spoken by Others”, in Art Monthly Issue 481 (2024)
• Sasha Opeiko, "Uninvited Dark Objects," Breath: New Media Art 2024 (CICA Press, 2023), 84-89.
• Charlotte Kent, "Material Information: INSULAE and CU SOON (2023)
• Tessa Jackson OBE, "In Conversation with Nye Thompson" (2023)
• Irini-Mirena Papadimitriou, "In the Eyes of the Machine" (2023)
• Mila Askarova, "The Lumen Interview: Nye Thompson & UBERMORGEN", in Right Click Save (2022)
• "Insight: UBERMORGEN & Nye Thompson’s UNINVITED, the alluring and pernicious potential of horror movies", in CLOT
• Emilian Mărgărit, "AI with a moving camera", in Revista ARTA (2021)
• Beth Jochim, "UNINVITED by Nye Thompson and UBERMORGEN", Furtherfield Gallery / London’, in Flash Art International 2020
• Jacopo De Blasio, "Uninvited. Tecnologia e orrore in una mostra digitale", in Artribune (2021)
• "UNINVITED. A horror experience by and for machines", in We make Money Not Art (2020)
• "NYE THOMPSON, affectivity of the artificially intelligent entity", in CLOT (2020)
• "The Seeker, Demiurge or spy?", in Neural (2019)
• Anna MacNay, "Nye Thompson – interview: ‘The bots are actually the primary audience for the show’", in Studio International (2019)
• Dr Rhodri Hayward, "Insecurity Cameras: Nye Thompson, Surveillance Art and the Making of Modern Anxiety" in Centre for the History of Emotions Blog (2017)
• "Sniff the apocalypse: An art show with perfume for the end times" in New Scientist (2017)
• "Vídeovigilancia vulnerable: la obra de Nye Thompson" Asociación Aragonesa de Críticos de Arte (2017)